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8 January 1836 – 25 June 1912. Most renowned painters.

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Jean-Paul Laurens
Death of by David

ID: 67133

Jean-Paul Laurens Death of by David
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Jean-Paul Laurens Death of by David


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Jean-Paul Laurens

1838-1921 French Jean Paul Laurens Gallery was a French painter and sculptor, and one of the last major exponents of the French Academic style. Born in Fourquevaux, he was a pupil of L??on Cogniet and Alexandre Bida. Strongly anti-clerical and republican, his work was often on historical and religious themes, through which he sought to convey a message of opposition to monarchical and clerical oppression. His erudition and technical mastery were much admired in his time, but in later years his hyper-realistic technique, coupled to a highly theatrical mise-en-sc??ne, came to be regarded as overly didactic and even involuntarily comical. Laurens was commissioned to paint numerous public works by the French Third Republic, including the steel vault of the Paris city hall, the monumental series on the life of Saint Genevieve in the apse of the Panth??on, the decorated ceiling of the Od??on Theater, and the hall of distinguished citizens at the Toulouse capitol. He also provided illustrations for Augustin Thierry's R??cits des temps m??rovingiens ("Accounts of Merovingian Times"). Laurens was a professor at the École nationale sup??rieure des Beaux-Arts in Paris, where he taught Andr?? Dunoyer de Segonzac and George Barbier. Two of his sons, Paul Albert Laurens (1870-1934) and Jean-Pierre Laurens (1875-1932), became painters and teachers at the Acad??mie Julian. He died in Paris in 1921.  Related Paintings of Jean-Paul Laurens :. | The Excommunication of Robert the Pious | Ruins of the Palace of Asraf | Vann-s Rock | Nedjeff,Manservant at the French Mission | Harem interior in Teheran |
Related Artists:
dunoyer de segonzac

CAMBIASO, Luca
Italian Mannerist Painter, 1527-1585 1527?C85, leading Italian painter and sculptor of the Genoese school, known also as Luchetto da Genova; son and pupil of Giovanni Cambiaso, a fresco painter. His inventiveness and facile execution in both oil and fresco won him early recognition. His best works are in churches and palaces of Genoa and vicinity. In 1583 he went to Spain, where he worked on the decoration of the Escorial.
Filadelfo Simi
painted Un rilesso in 1887






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